Recensioni

Francesco Cera is one of Italy’s most prominent keyboard players. His playing is superb. He has a good feeling for the refinement and elegance of d’Anglebert’s music.

Music Web International, April 2016 Recording of the month

Cera s’attache aux tourments intérieurs…il privilège la profondeur, avec un art achevé de la construction.

Vincent Genvrin – Diapason, February 2020. 5 Diapasons

Bis in die virtuosesten Tastenwendungen hinein spielt Cera das Gesangliche, Atmende, auch das Rezitatorische heraus.

Friedrich Sprondel – Fono Forum, February 2020

Cera has selected an array of exquisite instruments, made up of organs and harpsichords…This is a lavish production by any standards.

Music Web International – December 2020. Recommended

Francesco Cera is one of Italy’s most prominent keyboard players. His playing is superb. He has a good feeling for the refinement and elegance of d’Anglebert’s music.

Music Web International, April 2016 “Recording of the month”

Francesco Cera shows why he continues to be regarded as one of the leading exponents of early Italian keyboard music. His understanding of how to apply the rethorical affetti shine through his playing.

John Collins – The Diapason, August 2015

Le claveciniste italien Francesco Cera évoque la dimension spirituelle des Suites françaises.

Alain Derouane – Crescendo, February 2009

Francesco Cera nous offre une vision expressive et jubilatoire de ce répertoire. Cera maitrise son sujet jusqu’a lui donner une aisance et un naturel remarcable.

Denis Wolff – Répertoire, February 2001

Cera’s crisply-articulated playing bringing out the dance-base of much of this music.

Noel O’Regan – Early Music Review, October 2004

Francesco Cera exploite avec le plus grand naturel toutes les ressources de la liberté agogique. Comme un vrai Italien, il parle avec les mains.

Nicholas Ferrand – Musique d’orgue, April 1998